These are also cheap because there is no need to transfer information for autofocus: these vintage lenses are all manual. You need an adaptor to make them workable on modern DSLRs or mirrorless cameras. Due to the commonness of these lenses in the Soviet Union and Eastern Europe, there is plenty of them available. Where to get Helios lensīecause there are no more Helios lenses manufactured anymore, you need to dig on sites like eBay. Helios 44m, together with some other vintage lenses (like Pentacon 50mm f/1.8 or old Petzval lenses), suffers from distortions and imperfections that turn out to be pleasant for viewers. You can obtain these results with any lens type, but if you wish to achieve truly stunning images, you need to invest in a high-quality lens or get one of these “special” ones. This style is created by using a wide aperture (a small f-stop number) to produce a shallow depth of field and keep your subject in focus while blurring the background. Also called defocus blur, it can be used to add an artistic touch to an image. ⬇️ Jump directly to the Helios 44m sample gallery ⬇️ What is the bokeh effect: meaningīokeh is a Japanese word that means “blur” or “haze” and refers to the aesthetic quality of the out-of-focus area of photography. Helios 44M is an old Soviet-made photographic prime lens with a 58mm focal length and f/2.0 aperture. But some tremendous affordable lenses, such as the Helios 44M, can also produce this beautiful effect. Many times the lens that created this bokeh is rare and expensive. It seems that you need some decent distance from your subject, and you need some background that can fall into swirly bokeh in the distance.You’ve likely seen the beautiful bokeh in photos on Instagram and other photo-sharing sites. I took another shot with a subject at mid range, perhaps 4-5 feet away while still shooting wide open at f/2.Ĭan you start to see the swirl shape in the background? This photo showed me I’m getting closer. It isn’t swirly bokeh yet, but it definitely has more shape to it. I aimed up at a leaf that was a little further away, still shooting wide open at f/2. This image was shot up close which caused the background to blur too much for the swirl I was looking for. When you shoot wide open at f/,2 close up to the subject, the background is a beautiful, buttery, soft bokeh. I took the lens into my in-laws yard to find out how best to find the swirly spot. It arrived the day before we left so it was ready to go right away. After a quick test shoot I decided I was going to shoot this Helios 58mm 44-2 exclusively for the entire trip. I bought the lens right before a two-week trip to St. This unfocused image shows the popular swirly bokeh effect Well, this “defect” looked really cool to me and I wanted to incorporate it into my lens collection. I did some quick digging and found out this was called “swirly bokeh” and certain vintage lenses created this effect through a manufacturing defect. It was awesome and unlike anything I had ever seen! I was looking through photos on Flickr and noticed a few images in which the bokeh appeared to be swirling in a circular pattern. I really enjoy having big apertures available for low light so I started looking for another prime lens. It’s a great lens but after taking it out a few times, I concluded it wasn’t for me. The 24-70mm and adapter are super heavy and ridiculously front-heavy. The 55mm shoots like a dream and is insanely light-weight. I started off with a Sony 55mm f/1.8 and a 24-70mm f/2.8 lens that requires a Sony adapter. You can see how I used it in my last article: when to trick your camera for the perfect exposure. A friend convinced me that having small-form, full frame camera would be an entire different way of shooting. I recently bought a Sony A7 to compliment my Canon 6D DSLR.
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